Tom elaborates further: “There are other brands that could do a more massive job than what we put in but it’s all about price point.” It seems like everyone found the sweet spot on this job and the Club locals are getting the benefits from the right mix of equipment.The Soundtube CM62-EZs-II is a 6.5-inch, coaxial, two-way, blind-mount, in-ceiling speaker which delivers true high efficiency and performance across the operating bandwidth. And that’s why I’ve gone ahead and put it in other venues as well.”
“This product is really good for what it is and how you configure it. “You don’t always need fancy control and other bells and whistles,” says Tom. The Ashly range has worked out well for SLS. It’s locked down enough to keep us safe but Tom comes in and adds extra features as we need them.” Erin continues: “We’ve got it set up to give us basic controls but not so much that we can muck it up. The old system was a bit of shambles with dropouts and level dips, but this new one has been great.”Īccording to Tom, “With the old system, we couldn’t hear anything.” After the upgrade, “everyone could hear the call and there were no complaints anywhere.” It was packed to the rafters and chaos back of house, but the audio was rock solid. Opening night was even bigger – Erin reckons “it was massive.
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Tom: “For a full closed back can speaker, the output is quite good.” SLS reused 16 CM42-EZs from an earlier refit in the function room and three SoundTube SM400i-B cabinets cover the outdoor gaming zone.įriday night raffles are a big thing at the club. Long after the early demo, everyone remains impressed. SLS installed 75 x CM62-EZ-IIs in various rooms of the main area. With the sound routing sorted by two Ashly ne24.24M 12×12 Protea DSPs, Ashly ne8250.10 and ne4250.10 amps were a natural fit to power the SoundTube ceiling speakers. “If the Club calls, I can look at it from the office and change settings from there.” SLS services customers over a wide geographical area and this remote access feature saves a huge amount of travel time. The other big feature was remote access from offsite. Finer control can be accessed easily if needed, including preset recall, filter level control, amplifier standby, gain/attenuation and more. Each named zone has its own fader, meter and source selection for instinctive control in the hands of a staff member – no AV technician required. Ideal for restaurant applications, the GUI is easily themed by adding custom logos, background images or photos to match the branding or aesthetics of the venue.
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The free Ashly Remote iPad app is a significant value-add to Ashly’s amplifier range. It’s easy to use – we can set it up the way they want it to work.” “It has a networked DSP and a customisable iPad app. “We worked out that an Ashly system would be perfect,” Tom explains. Easy control and localised volume adjustment were core requirements and remote IP access was a bonus.īudget was tight throughout and Tom made special effort to get the best value for his client. The Function Room (Phase 2) called for 11 in and two out, also allowing for split or combined room functionality. The Main Club (Phase 1) required 11 audio inputs and nine outputs.
This necessitated some double handling but was the only way to keep the Club operating during the overhaul. After this was done, everything was repositioned to its final location and commissioned. Phase 2 entailed moving all facilities across to the new wing while the old wing was completely refurbished. This allowed for easy pre-wire ahead of new loudspeaker installations. Phase 1 saw pokies and sports bars crammed into one half of the venue while the other half was knocked down and completely rebuilt. To keep the premises running amidst renovations, the Club plan called for two phases staged over 12 months. When they fired up the SoundTube CM62-EZ-II ceiling speaker, “the people at the club were astounded at the sound for that price-point.” KEEP STEAMING ON The big clincher was an onsite demo of a few speaker options. He always recommends the right stuff.”īeing an established local and already knowing the client made it easier for Tom to pitch confidently to the board. Club General Manager Erin Langman says, “Tom’s been our go-to for years, so we trust him. SLS Manager Tom Laughlin was invited to talk to Club management about new audio gear. Local AV solutions provider Sound & Light Solutions (SLS) had been maintaining the old system at Echuca Workers Club for some time and are also the go-to PA and lighting hire company for events at the venue. Regional venues rely on knowing that they will be looked after in a timely and friendly manner.
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An overhaul of the venue in 2018 presented an opportunity to upgrade audio systems. The Echuca Workers Club has a long history as a gathering point for Riverina locals.
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